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耳聪亦聋人的耳朵不可能象转动灵活的眼睛那样传神表演。但它是听觉灵敏的器官,在表演中。人物的唱、念、台词及音响等信息要靠它传送于大脑,演员根据此方可能把剧中人物喜怒哀乐等神情以各种艺术手段及时地反映出来。仅就此来说,耳朵的作用不可低估,如果演员善于运用还大有文章可作。耳朵的表演在不同的艺术处理中也是多变的,有时需要字字入耳;有时需要听若不闻;有时需要听近若远;有时需要听无若有,等等。例如:《失街亭》
The ears of deaf people can not express themselves like a flexible eye. But it is a hearing-sensitive organ in performance. Character singing, reading, lines and audio and other information to rely on it sent to the brain, the actor according to the party may be the characters emotions such as emotions in various artistic means timely reflected. Only in this regard, the role of the ear can not be underestimated, if the actor is good at using a lot of articles can be used. The performance of the ears is also varied in different artistic processes, and sometimes it requires words and ears; sometimes it needs to be heard without hearing; sometimes it needs to be near and far; sometimes it needs to be heard without words and so on. For example: “lost street kiosks”