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最近,由北京人民艺术剧院演出的瑞士著名剧作《纵火犯》,是一出内涵深邃的好戏。它使观众见仁见智,可以得到多方面的启示。《纵火犯》描写的是一位“聪明人”,出于复杂的客观因素。在不难识别的纵火犯面前办了蠢事,到头来让他们烧了自己的房子,毁灭了整座城市,自食恶果。具有不同文化水平和不同生活经历的人,都可以从剧中得出自己的结论。有悟性、欢喜对事物加以联想的观众,会从《纵火犯》寓有人生哲理的对话里,找到巧妙的讽喻。瑞士剧作家马克斯·弗利施以其特有的机智与幽默,一针见血地揭示了人类某些弱点以及性格、习惯上的劣根性。说得具体一点,您可以从剧中男主人公、“聪明”而残酷的工厂主毕德曼的身上,清楚地看到
Recently, the famous Swiss play “Arsonist”, performed by the Beijing People’s Art Theater, is a show of profound meaning. It makes the audience a matter of opinion, you can get a wide range of inspiration. Arsonist describes a “smart man” out of a complex objective. Doing stupid things in front of arsonists who are not difficult to identify, in the end let them burn their own houses, destroyed the entire city, self-defeating. People with different levels of culture and different life experiences can draw their own conclusions from the play. Audiences who have the perception and joy of associating with things will find ingenious allegories from the dialogues of life-and-mind philosophy of “arsonist”. The Swiss playwright Max Frielis, with its unique wit and humor, reveals the weak points of mankind and the bad habits of character and habit. To put it more concretely, you can clearly see from the hero in the play, the clever and brutal factory owner Bideman’s body