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毋庸讳言,虽然1999年出现了一些比较优秀的影片,但并没有从根本上改变自90年代中期以来一直处于较为低迷状态的国产电影的境况。张艺谋、陈凯歌等所谓第五代们虽然偶尔有新作问世,但也只是“偶尔”而已,他们已经失去了80年代的那种光芒,至少鲜有《黄土地》、《红高粱》、《秋菊打官司》样的作品;而被人们寄希望很大的“第六代”们,或者由于客观的原因,或者由于自身修养和生活经验的局限,迟迟不能闪亮于电影界的聚光灯下;至于谢晋们,则真的廉颇老矣——国产电影何日再塑辉煌,是每个关心中国电影的人萦绕于心的,近来也有众多业内人上对此发表高见(如今年4月7日的《中国演员报》就登载了六位专家的“诊
Needless to say, although some relatively good films have emerged in 1999, they have not fundamentally changed the situation of domestic films that have been in a downturn for a long time since the mid-1990s. The fifth generation, such as Zhang Yimou and Chen Kaige, although they occasionally have new works published, are only occasional. They have lost the glitz of the 1980s, at least they rarely have yellow land, red sorghum, Lawsuit-like “works; and the” sixth generation “who are greatly urged by the people, either because of objective reasons or because of limitations of self-cultivation and life experience, have not been able to shine in the film industry’s spotlight; As for the Xie Jin people, it is really quite old and old - when the glory days of Chinese-made movies are everybody who cares about Chinese movies, and many people in the industry have recently expressed their opinions (such as April 7 this year Day ”China actor newspaper“ on the published six experts ”clinic