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本文指出元杂剧有同场同处不同语境的“背供”和同场不同处不同语境的“背供”两种主要形式 ;这种“背供”意味着剧场交流语境和舞台演述时空的自然转换 ,是使元杂剧成为无“墙”之戏的一个重要条件
This paper points out that the Yuanza play has two main forms of “back supply” in different contexts of the same field and different contexts in the same field; this “back supply” means the context of the theater exchange and the stage performance The natural conversion of time and space is an important condition for Yuan drama to become a drama without “wall”