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纪录片从1922年诞生至今历经了近百年的光阴,在这一百年的时间里,它也在随着时代的变化而进行着不断地演变,而其中最引人关注的一个趋势就是纪录片中的故事性。近几年,随着摄影摄像技术的不断革新以及互联网、新媒体时代的到来,纪录片的转型之势也愈发明显,以往直白的拍摄、白描的手法被如今的炫丽的视觉效果和充满矛盾冲突的故事性叙述所取代,这样的改变,无疑是为了满足受众日益提高的审美需求。然而,尽管大多数新生的纪录片已与受众的生活息息相关,可是普通观众仍旧只是对纪录片停留在感性的、主观的观赏上,真正理性的去对这些新生电视纪录片的构成及结构以及拍摄方式进行研究的却少之又少。本文旨在对电视纪录片的叙事艺术进行浅析,从叙事的方式、策略以及故事构架等方面对其进行研究。
Documentary from its birth in 1922 has gone through nearly a hundred years time, during this one hundred years, it is also changing with the times and constantly evolved, but one of the most interesting trend is the documentary Storytelling. In recent years, with the continuous innovation of photographic camera technology and the advent of the Internet and new media era, the documentary transformation trend becomes more and more obvious. In the past, the method of straightforward filming and white drawing was used by today’s dazzling visual effects and full of contradictions Conflict storytelling replaced, this change is undoubtedly to meet the audience’s growing aesthetic needs. However, although most of the new documentary films are already related to the life of the audience, the ordinary audiences are still merely viewing the documentary in a perceptual and subjective way. It is quite rational to study the composition and structure of the new television documentary and the manner of filming But few and far between. The purpose of this article is to analyze the narrative art of TV documentary and to study it from the aspects of narration, tactics and story structure.