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中国画的尺度问题是伴随着中国画论争、文人画、现代主义等相关问题产生的,其形制的变化有时超越了艺术自身发展的规律范畴,而受制于文化、社会以及政治机制,体现出的是民族国家发展过程中对文化艺术的内在诉求;有时又回归艺术本体,成为艺术家自我观照的手段,成为艺术家表达前卫意识的一种策略。从临摹到写生——中国画尺度变化的内在条件19世纪末的民族危机引发了国人对传统文化价值的思考与讨论,随后延伸到艺术领域中对传统中国画的批判。最先挑起批判大
The scale of Chinese painting is accompanied by related issues such as the controversy of Chinese painting, literati painting and modernism. The changes in its formations have sometimes gone beyond the law of the development of art itself. Subject to cultural, social and political mechanisms, In the process of national development, the inner appeal to culture and the arts; sometimes, it returns to the noumenon of the arts and becomes the means by which the artist contemplates himself and becomes a tactic used by the artist to express avant-garde awareness. From Copy to Sketching - The Inherent Conditions of the Change of Chinese Painting Scales The national crisis at the end of the 19th century caused the people to think and discuss the value of traditional culture, and then extended to the critique of traditional Chinese painting in the field of art. The first to provoke criticism