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2015.3.7常说:如影随形,这是虚和实的关系。形,是物质性的。影是虚无性的,变幻的。有形才有影,影随形而动,形因影而有了立体空间。文艺复兴之后,发明了透视学,绘画中的物体有了明暗与透视空间,油画得以细腻地表现丰富多彩的大千世界。影子既是物理的现象,也是心理的现象,它可以使画面充满各种情绪的戏剧性效果,加强主题的感染力。后来,我发现:有光才有影。
2015.3.7 often say: go hand in hand, this is the relationship between virtual and real. Shape, is material. Shadow is nothingness, change. The tangible and influential, the shadow moves, the shadow due to the three-dimensional space. After the Renaissance, he invented the science of perspective, the objects in the painting had the space of light and darkness and perspective, and the oil painting can exquisitely display the rich and colorful world. Shadow is both a physical phenomenon and a psychological phenomenon. It can make the screen full of dramatic effects of various emotions and enhance the appeal of the theme. Later, I found out: there is light only shadow.