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1987年,崔健粉墨登场,以他在一个“伟大进军”的时代中“一无所有”的宣言,宣告着中国摇滚纪元的到来。崔健所执着的,正是以摇滚的酷烈方式重新诠释红色的革命经典,以“出走”作为新一代的出场序曲开始反叛的“新长征”。他以这一份赤裸的告白构建的青春造型,在抗议与异端几乎都失去声音时代背景中,在政治与经济微妙的、不平衡的艰难协调中,很快就被接纳为抗议者的姿态——他真的就像一个反叛者,而他那一身破旧的军装无疑就是要“以革命的名义”来消解革命,清算政治禁闭留在个人记
In 1987, Cui Jian came out on stage, announcing the arrival of the Chinese rock era with the declaration of “nothing” in a “great march” era. What Cui Jian is obsessed with is the “New Long March” of rebel re-interpretation of the red revolutionary classics in a fiercely rock-like manner and his departure from the prelude to the new generation. His youthful style, constructed in this naked confession, was soon accepted as a protester in the context of a time when protests and heresies almost lost their voice and in delicate, unbalanced and difficult coordination between politics and economy - - He really is like a rebel, and his old, uniformed uniform is undoubtedly intended to dispel the revolution “in the name of the revolution” and to keep the political confinement in mind