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中国新兴版画自上世纪三十年代“启动”以来,经过了几十年的风风雨雨,发展至今,和当下整个国际版坛的情况相比,我们可以说已经不缺什么了。人家会的,我们如今也都会了,人家搞得出来的,我们也都搞得出来了;人家有的版种、样式、观念、手法,我们也都有了。在近几年的各国际版展上,各种名目的奖牌我们也都拿了,手捧一本本“国际版展”的图录,也不再觉得有什么陌生的面貌。是的,我们已不再是西方的盲从者,不再是“歌迷”、“影迷”、“球迷”的角色,我们已是国际版画舞台上春色与共的竞技者,我们已有足够的能力在国际版坛上以我们自己的价值观、艺术观说东道西,评优论劣。一句话:中国版画已到了该独立考虑自己问题的时候了。
Since the launch of the new Chinese lithographs in the 1930s, after decades of ups and downs, up to now, we can say that there is no shortage of things compared to the current situation of the entire international edition. People will, and we will all be meeting now, and if we come up with others, we will also make it out. Some people have some kinds of versions, styles, concepts and practices that we all have. In recent years, the international edition of the exhibition, all kinds of medals we have taken, holding a book of this “International Edition” of the catalog, no longer feel that there is no strange appearance. Yes, we are no longer blindfolded in the West, no longer fans, fans, fans. We are already a spring-and-pop athlete in the international printmaking arena and we have enough capacity in The international version of the altar to our own values, artistic view of the west, commentary on bad. A word: Chinese print has come to the independent consideration of their own problems.