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我的文论是对真理的执著追问,它的中心思想是中国画要向现代转型。转型的核心是呈现现代语境和彰显大美,弘扬大我、强调浩然之气的中华文化精神是所有文论的主线。围绕这一主线。从不同侧面、不同角度,全方位地展开对大美与崇高的论述,如传承与发展、古典与现代、东方与西方、国风与雅颂、形式与内涵等,反复论证中国画的现代建构的重要性。不把这看成是个人的事业,而
My literary theory is a persistent pursuit of truth, and its central idea is that Chinese painting should be transformed into a modern one. The core of the transformation is the main thread of all literary theories, presenting the modern context and highlighting the great beauty, carrying forward the great me and emphasizing the noble spirit of the Chinese culture. Around this main line. From different sides and perspectives, the dissertation discusses beauty and loftiness in an all-round way, such as inheritance and development, classical and modern, oriental and western, national style and elegant music, forms and connotations, and so on, demonstrating the modern construction of Chinese painting importance. Do not think of this as a personal business, and