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作品点评对隶书的凝视考验着一个书法家在古今之变上的高度认知,陈昊对隶书的偏爱,对中国传统文化孜孜以求的阅读,使得他的学养更为饱满。从张旭到米芾,唐诗到元曲,陈昊长期浸淫于线条之外,寻找力量的源泉和发力点,以此为“破”与“立”的革命性裂变建立自身的体系。陈昊长于行草,这是他的立身之本,恣肆汪洋的奔放更能充分表达作为一个书法家对生命的复杂体验。但在隶书、楷书的体验中,行草的狂野就有了公共的规范。作为一个书法家,陈昊一笔一画地临摹
Opinions on works The examination of the scriptures tests the highly cognition of a calligrapher in ancient and modern times. Chen Hao’s preference for scripture and the diligent reading of Chinese traditional culture make him more full-fledged. From Zhang Xu to Mi Fu, Tang Poetry to Yuan Qu, Chen Hao has long been immersed in the lines, looking for sources of strength and emphases, as a revolutionary fission establishing “broken” and “standing” Own system. Chen Hao longer than the line of grass, which is his foundation of this, unbridled unrestrained more fully expressed as a calligrapher on the complex experience of life. However, in the official script, regular script experience, the wild grass has a public standard. As a calligrapher, Chen Hao copy one by one to copy