论文部分内容阅读
我是蚌埠人,从小没有接触过黄梅戏。解放后在芜湖市文化馆工作,一九五三年,安徽省黄梅戏剧团建立,我参加了考试,被录取之后,才与黄梅戏结下不解之缘。当时团内老艺人不少,学习条件良好,可惜我胸无大志,文化既浅,毅力也差,入团时已经十八岁,自认为半路出家,先天不足,难以高飞,身在宝山,却没有开发掘来多少闪光的东西,谈到表演艺术,不免茫茫然愧作不安。如果说,对角色创造懂得一点甘苦,是从排演朝鲜古典名著《春香传》开始的。
I am a Bengbu people, never had contact with Huangmei opera. After the liberation, he worked in the Wuhu Cultural Center. In 1953, the Huangmei Opera Troupe was established in Anhui Province. After I took the exam, I was admitted to Huangmei Opera. At that time a lot of old artists in the regiment, learning conditions are good, but I have no ambition, culture is shallow, perseverance is poor, into the group already eighteen years old, think halfway monk, innate enough, difficult to fly, in Baoshan, but not How much flash of development to tap and when it comes to performing arts, it is a shameful uneasiness. If we say that it is a bit of bitterness to character creation, it is from the rehearsal of the North Korean classic “Chun Xiang Biography”.