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随着1958年工业、农业生产上的大跃进、大胜利,在技术革命和文化革命的高潮中,江苏的戏剧艺术事业已形成了一个大跃进的局面,盛况空前,成绩巨大。一方面,群众戏剧艺术活动十分活跃,自编、自演,蔚为风气,业余剧团或文工团增加了几倍,遍及全省的工厂和公社。另一方面,专业戏剧工作者下乡、下厂,劳动锻炼,为生产、为群众、为中心运动创作和演出,较之近几年来任何时期都更加广泛、更加深入。此外,在戏剧艺术教育事业上,也有了较大的发展。这就为文化艺术工作进一步的普及和提高,开辟了一条广阔的道路。大跃进一年中的江苏戏剧,总结起来,有这样四条主要经验: 一、以共产主义思想为纲,灭资兴无,经常
With the great leap forward and great victories in the industrial and agricultural production in 1958, in the climax of the technological revolution and the cultural revolution, the dramatic arts in Jiangsu Province have formed a great leap forward situation with unprecedented prosperity and tremendous achievements. On the one hand, the mass theatrical arts activities are very active, self-compiled, self-evident, magnificent, amateur theater or art troupe increased several times throughout the province’s factories and communes. On the other hand, professional theatrical workers go to the countryside, work in factories, work out exercises, create and perform for the masses, and for the center movement, more extensive and deeper than at any time in recent years. In addition, dramatic arts education has also made great progress. This opens up a vast road for further popularization and improvement of cultural and arts work. To summarize the Jiangsu drama of the Great Leap Forward in the past year, there are such four major experiences as follows: First, taking communist thinking as the key link and eliminating capital and funding, and often