论文部分内容阅读
20世纪80年代应该是中国文学理想最为膨胀的时期,无论是文学“寻根”的努力,还是先锋小说、新写实小说的试验或反拨,都表现出强烈的振兴欲望和再造中国文学辉煌的企图。然而,市场经济的确立,异常迅猛的市场化浪潮,使文学迅速结束了理想主义时代,由“启蒙”、“救世”的中心位置向边缘滑落。进入2l世纪,这种多元无序的状态并没有根本的改变。在由观念社会向利益社会的转型中,文学的处境发生了巨大的变化,经历着被商品化、边缘化的过程。而中国作家在这一转型过程中。也经历了生存、思想和文化上的三种失落。如何面对这一局面,其实首先是采取何种价值观来评价这一变化的问题,应该看到,文学的商品化是人类文化发展史上共有的现象。与此同时,作家也不应放弃自己的责任和立场。
The 1980s should be the period of the most expansion of Chinese literary ideal. Both the literary and “root-seeking” efforts or the experiments or reversals of pioneering novels and neo-realistic novels have shown strong desire for rejuvenation and the rejuvenation of Chinese literature The attempt. However, the establishment of a market economy and the unusually rapid market-oriented wave have brought literature to a rapid end of the idealist era and slipped from the center of “Enlightenment” and “Salvation” to the periphery. Into the 2l century, this state of pluralism and disorder has not fundamentally changed. In the transition from the concept society to the benefit society, the situation of literature has undergone tremendous changes, experiencing the process of being commodified and marginalized. Chinese writers are in the process of transformation. Also experienced three kinds of loss of existence, thought and culture. How to deal with this situation, in fact, the first is what kind of values to evaluate this change, we should see that the commercialization of literature is the common phenomenon in the history of human culture. At the same time, writers should not give up their own responsibilities and positions.