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新历史主义小说面对权力话语的强势，在徒县时间标示的历史之中，表达文化救赎。它们对精神贫困的感知及对人性残缺的领略，至少是对文明危机的诚实感应；它们以艺术形象表明的关于个人无法把握的无常的命运，是价值失范时期的社会心态的折射；它们对传统文化的批判性审察，揭示了以传统的东西反传统的怪圈现象，在批判的同时思索批判自身的前提。
New historicism novels face the power of power discourse, in the history of the time marked in the County, the expression of cultural salvation. Their perceptions of spiritual poverty and their perceptions of human nature are, at least, honest responses to the crisis of civilization. Their fantastic fate, an individual’s inability to grasp, as demonstrated by their artistic image, is a refraction of the social mentality during the period of loss of value. The critical examination of culture reveals the preconditions of criticizing oneself while criticizing the phenomenon of taking traditional things against tradition.