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一、秦族祖居二、秦都迁变三、集六国精萃于一隅的帝都咸阳 (一)古老宏丽的东方建筑博览会——咸阳北阪 (二)蜀山兀,阿房出 1、四阿屋面——宫名的由来及建筑造型的历史性特创 2、划时代的技术成就——军壁受压型材技艺的高超及其广泛应用 3、探测与防卫——“慈石”在建筑中的应用 4、高台、殿堂(及宫寝) 楼阁、馆舍、轩榭、阁道、复道、甬道雕塑、等多功能多类型建筑及艺术之大融合;多类型木结构建筑体系之确立 5、自然式山水园林之祖——阿房宫的环境设计 6、举世无匹,孑视古今——阿房宫的总体规模 7、阿房宫的建造技术四、“弥山跨谷”的秦离宫五、秦都三辨 (一) 自栎迁咸辨 (二) 咸阳无制辨 (三) 甘泉宫址辨六、千古一陵——关于始皇陵墓室结构的假说七、有关秦都的古文献记载辑疏
First, the ancestral home of the Qin dynasty two, the Qindu trespassing three, the six capitals of the imperial capital of Xianyang Xianyang (a) the ancient Hongli Oriental Architectural Exposition - Xianyang Beihans (two) 蜀山兀, A room out of four, Si Arai - The origin of the name of the palace and the historical special creation of the architectural model 2. The epoch-making technical achievement - the superb technique of the compressed wall section of the military wall and its extensive application 3. The detection and defense - the application of the “cishi” in the building 4. Gaotai, Hall (and Palace) Buildings, Pavilions, Xuanyuan, Kogeo Road, Replica Road, Road Sculptures, etc. The integration of multi-functional and multi-type buildings and arts; the establishment of multi-type wooden structure building systems 5, natural landscapes The ancestral home of the garden - the design of the A-fang Palace’s environment 6, unparalleled in the world, despise the ancient and modern - the overall scale of the A-fang Palace 7, the construction technology of the A-fang Palace IV, the Qin Migong Five and the Qin Du’s three-level identifications I) Self-imposed evacuation and salty discrimination (II) Xianyang undisclosed (III) Ganquangong site distinguishes six and one thousandth ancient tomb - Hypothesis on the structure of Shi Huang’s mausoleum Seventh, the ancient literature on Qindu