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易卜生的戏剧较早意识到了西方文化的整体性衰落和人性的沉沦,他高擎“不全则无”的理想主义大旗,与之展开了激烈的抗争,进而反观人性和理想,又发现了人性的裂隙和理想的荒诞,并最终洞悉了人类命运的神秘与诡谲。其对自我之迷的追寻,对人类幸福的沉思,也就在“终极性背景上”获得了空前的拓展与开掘,这样就使其作品前瞻性地具有罕见的现代性品质与终极价值。
Ibsen’s drama was earlier aware of the decline of the whole culture and the decline of human nature, and he was highly motivated by the idealism banner of “incompleteness and withoutness” and started a fierce battle with him and then looked back at human nature and ideals, But also found the fissure of human nature and the ideal absurdity and finally learned the mysteries and treacheries of human destiny. His pursuit of self-esteem and his contemplation of human happiness have also gained an unprecedented expansion and digging on the “ultimate background”, thus making his work prospectively have a rare modern quality and ultimate value .