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卡米尔·圣桑是法国近代音乐史上的著名作曲家之一,在他众多的音乐作品中,钢琴曲的创作占有很高的地位和成就。《g小调第二钢琴协奏曲》是其中一部较为典型的代表,本文通过研究发现,圣桑在对传统的曲式结构、逻辑思维和风格样式进行继承的同时,各地域诸多的古典、富有创新性的自然、朴实的音乐素材、创作手法也被吸收进来,形成一种新颖、多样的风格。在这部作品中,富有鲜明的音乐形象与动力感,使得作品展现出了法国地域特征的圣桑个人气质风格。笔者试图通过对音乐本体的分析,能够准确掌握《g小调第二钢琴协奏曲》的音乐演奏特点,诠释圣桑的这部钢琴作品风格。
Camille Saint-Saen is one of the famous composers in the history of modern French music. Among his numerous musical works, the creation of piano plays holds a very high status and achievement. “G Minor Piano Concerto No. 2” is one of the more typical representatives. Through the study, we find that when Saint-Sambo inherits the traditional structure of music, logical thinking and style, many classical and innovative Natural, simple music material, creative techniques have also been absorbed in to form a new and diverse style. In this work, the distinctive musical image and dynamism make the work show the Saint-Sang’s personal temperament characterized by the regional characteristics of France. Through the analysis of the music ontology, the author tries to grasp the characteristics of the musical performance of “The Second Piano Concerto in G Minor” and interprets the style of this piano work.