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在俄罗斯音乐史上,有三部战争题材的作品具有划时代的意义,它们是:柴科夫斯基的《1812序曲》、肖斯塔科维奇的《第七交响曲》和普罗科菲耶夫的康塔塔《亚历山大·涅夫斯基》。笔者手头正好有一张DECCA版的《亚历山大·涅夫斯基》唱片(迪图瓦指挥蒙特利尔交响乐团演奏),值得一听。 这三部战争音乐巨篇都描写了俄罗斯历史上抗击外敌入侵的重大事件。从创作年代来看,《亚历山大·涅夫斯基》介于两者之间。30年代,普罗科菲耶夫返回苏联定居后,应邀与大导演爱森斯坦合作,为电影《亚历山大·涅夫斯基》谱写配乐。普罗科菲耶夫为此
In the history of Russian music, there are epoch-making works of three war themes: Tchaikovsky’s 1812 Overture, Shostakovich’s Seventh Symphony and Prokofiev’s Cantata “Alexander Nevsky”. The author had exactly one DECCA version of the “Alexander Nevsky” record (played by De Tuva in the Montreal Symphony Orchestra) and deserves to be heard. All three war music giant articles describe the major events in the history of Russia against invading foreign enemies. From the creative age, “Alexander Nevsky” lies in between. In the 1930s, Prokofiev returned to the Soviet Union to settle down and was invited to work with the director Eisenstein to write a soundtrack for the film “Alexander Nevsky”. Prokofiev did this