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20世纪以来,音乐向多样化方向发展,各式各样的创作手法的出现、变化和没落表现得十分错综复杂。这是音乐文化进步变化势必经历的过程,是音乐类型越来也越多样化的表现。,其中勋伯格和他的创作是音乐语言在此发展中最具有典型性的,也是影响范围最广存,生命力最顽强的音乐。勋伯格对现代主义音乐带来有意义的探索和启迪。当序列音乐与中国传统文化相互交融时,中国作曲家也不断开始运用序列音乐的思维与创作手法去创作音乐。本文介绍序列音乐的结构和技法特点,并以《涉江采芙蓉》为例,简述这种跨时空、跨民族的文化在中国的发展影响。
Since the 20th century, music has been diversified. The emergence, change and decline of a wide range of creative techniques have become extremely complicated. This is an inevitable process of change in the progress of music and culture, and an increasingly diverse type of music. , In which Schoenberg and his creation are the most typical musical language in this development and the most influential and vitality music. Schoenberg brings meaningful exploration and enlightenment to modernist music. When the sequence of music and Chinese traditional culture blend with each other, Chinese composers are also constantly starting to use the music thinking and creation of sequence music to create music. This article introduces the structure and techniques of sequence music, and takes the example of “Collecting Hibiscus in Riverside” as an example to briefly describe the impact of this cross-space-time and inter-ethnic culture in China.