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早在20世纪20年代,徐悲鸿就曾高度评价,“有以奇拙胜者,首推李君耕,挥毫恣肆,可以追踪瘿瓢,其才则中原所无”。然而,由于种种客观原因,限制了外界对李耕艺术成就的了解与研究,对他的评价,多属即兴发言或题词的只言片语,缺乏严谨的学术研究。笔者不揣浅陋,从读画评析入手,对李耕人物画艺术特色进行审美研究,以期对今后的人物画创作有所裨益。
As early as the 1920s, Xu Beihong spoke highly of this subject. “There are strange winners, devaluation Li Jungeng, unbridled unbridled, you can follow the scoop, which is the Central Plains without ”. However, due to various objective reasons, the outside world has limited the understanding and research on the artistic achievement of Li Geng. The evaluation of him is mostly short phrases of impromptu speech or inscription, and lacks rigorous academic research. The author does not humble the shallow, starting from the reading and evaluation, starting from the aesthetic research on the artistic features of Li Geng’s portrait painting, with a view to the future of portraits painting is beneficial.