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书法上墙之后,趋大,然与今日追求视觉冲击力的展厅作品相比,小巫大巫。据梁章钜《浪迹丛谈》载:“米襄阳自言作画只作横挂三尺轴,宝晋斋中所悬长亦不过三尺,乃不为椅所蔽,人行过肩汗不着。”三尺实在是小,今日已是非六尺八尺不为。法乎其上,则得其中,字无奇巧,只有正拙,标准是有无形神,而非尺寸大小,形者神之
Calligraphy on the wall, the larger, and today the pursuit of visual impact of the hall compared to work, little to no avail. According to Liang Zhang Kui, “Trail talk” contains: “Mi Xiangyang made his own paintings only for hanging three feet shaft, Bao Jinzhai suspended in the long also three feet, but not for the chair to cover, people walked shoulder sweat.” Three feet is really small, today is not six feet eight feet not. Law on its top, then one of them, the word is no stranger, only orthodox, the standard is the invisible God, rather than the size of the shape of God