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拉尔夫·艾立森的小说《隐身人》(又《看不见的人》)被誉为二战后美国黑人史诗,其主要人物追求自我实现的过程反映了美国黑人的复杂心理路程,小说人物探寻自我的坎坷经历和多舛的命运为读者提供了从多种角度进行文本解读的广阔空间。而休斯顿·A·贝克的“布鲁斯本土理论”是解读美国黑人文学这一特殊文本的基本范式,其中的“黑洞”仪式则从黑人的话语实战中透视出文本阐释的多种可能性。因此该理论与小说达成了一种绝妙的默契,即浓缩性。
Ralph Ellison’s novel “Invisible Man” (also “Invisible Man”) is hailed as the Afro-American epic after World War II. The pursuit of self-actualization by its main characters reflects the complexity of American blacks. The ups and downs of exploration and self-improvement of fate provide readers with ample room to interpret texts from a variety of perspectives. While Houston A. Baker’s “Blues Theory of Native Land” is the basic paradigm for the interpretation of this special version of African American literature. The “Black Hole” ritual reveals the many possibilities of textual interpretation from the actual combat of the black discourse Sex. Therefore, the theory and novel reached a wonderful tacit understanding, that is, concentration.