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对于花的写生,往往被认为它不像人物写生那样要求准确,因此在写生中降低了要求;这也许就是很多人写不好生的原因所在。起初我也如此认为,随着写生次数的增多,才醒悟到,花冠的基本形态、花瓣的疏密转折及其姿态等等,虽然在写生中允许有所出入,然而那些微妙而往往是最美的地方,则不应该多差一点的,否则就达不到理想的艺术效果。当然,一位有经验的作者,在描绘过程中作必要的艺术加工,则又是另一回事了。初学时可以多画些花冠,或专门画些花冠,以求达到形似。唯因花卉品种不同,在初步掌握写生技巧的基础上,应尽量注意
For the sketching of flowers, it is often thought that it is not as accurate as the sketching of sketches, thus reducing the requirements in sketching; this is probably why many people are not prepared to write a book. At first, I also think that with the increase in the number of sketches, only realized that the basic forms of corolla, petal sparse transitions and their gestures and so on, while allowing for some discrepancies in sketching, are subtle and often the most beautiful Place, you should not be a little worse, otherwise it will not achieve the desired artistic effect. Of course, it is another story that an experienced author can make the necessary art work in the process of drawing. Beginner can be more painting some of the corolla, or painting some corolla, in order to achieve the shape. Only due to different flower varieties, based on the initial master sketching techniques, should pay attention