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在我的写意人物画创作中,追求的是当代造型语汇与传统笔墨语境的融合。我不能不面对一个如何对待传统和现代的问题,其实这也是所有中国写意人物画家不能回避的时代课题。应该说,传统人物画的文化遗产十分富厚,但它陈陈相因的程式也显得异常固陋,已经不能切实地表达现实生活和时代审美需要,这是事实。所以,我所做的就是要力求突破传统中那些程式化的象征性、寓意性,更多地倾注个人的情感。孟子说:“充实之谓美,充实而
In my creation of freehand painting, the pursuit is the fusion of contemporary stylistic vocabulary with the traditional context of ink and wash. I can not but face the problem of how to treat the traditions and the modernity. In fact, this is also the era topic that all Chinese freehand portraits painters can not avoid. It should be said that the cultural heritages of traditional portraits are very rich. However, the program of Chen Xiang-yin also appears extremely primitive and can no longer express the realistic needs of the real life and the times. This is a fact. So what I did was to try to break through the stylized, symbolic, moral, and personal emotions in the tradition. Mencius said: ”The fullness of the United States, full