论文部分内容阅读
对于中国人来说,对西方音乐的了解无论是古典时期还是现代主义,主要集中在德奥体系、法国以及意大利音乐,对丹麦这个国家的历史与现状知之甚少。从19世纪末到20世纪初,在东欧和北欧国家涌现出了一批非常重要的民族乐派的作曲家,例如匈牙利的巴托克、挪威的格里格、芬兰的西贝柳斯,此外,丹麦的卡尔尼尔森对民族乐派的发展也有着举足轻重的地位。卡尔尼尔森是丹麦首位有着世界影响力的作曲家,他在德奥传统音乐的基础上,开创出属于丹麦自己的民族新音乐。作为他的后辈,尼尔斯·罗斯萦-斯科(Niels RosingSchow)也在同样的道路上前行。当笔者近距离的接触到这个国度、这个人和他的作品,再和自己以往所学的德、奥,以及美国音乐进行比较,被他独特的北欧风格深深吸引。尼尔斯·罗斯萦-斯科是当代重要的丹麦籍作曲家,这是一位我们以往所不了解的,而在丹麦乃至欧洲颇具影响力的大师。他生于1954年,现为丹麦皇家音乐学院作曲系主任,丹麦作曲家协会主席,丹麦皇家音乐学院PULSAR现代音乐节总监。尼尔斯·罗斯萦-斯科早年在哥本哈根大学主修音乐史和音乐学,随后在丹麦皇家音乐学院跟随丹麦作曲家伊博·约侯尔姆(Ib Nφrholm)学习作曲,同时在丹麦卡尔尼尔森音乐学院教授音乐史。因此他比同时代的作曲家更加了解欧洲尤其是北欧音乐的发展历程,也为自己的创作道路打下坚实的基础。他所创立的“拟效果化”的作曲理念独树一帜,堪称现代音乐作曲技法的典范。本文将对“拟效果化”这一理念进行简要介绍,并以尼尔斯·罗斯萦-斯科的作品《黑圣母》为例阐释这一理念在其作品中的应用。
For the Chinese, the understanding of Western music, whether classical or modern, is mainly focused on the German system, the French and the Italian music, little is known about the history and current situation of Denmark. From the late 19th century to the early 20th century, a group of very important folk music composers emerged in Eastern and Northern European countries, such as Bartok in Hungary, Grieg in Norway and Sibelius in Finland. In addition, The Danish Carl Nielsen also plays a decisive role in the development of the national music school. Carnielsen is the first Danish composer with worldwide influence. Based on the traditional Austrian music, he founded a new national music belonging to Denmark. As his junior, Niels Rosing Schow was on the same path. When I came into close contact with this country, this man and his work, compared with his past German, Austrian and American music, were deeply attracted by his unique Nordic style. Nils Ross Hesse - Scoke is an important contemporary Danish composer, which we did not know before, but in Denmark and Europe influential master. He was born in 1954 and is currently Director of the Composition Department of the Royal Danish Academy of Music, Chairman of the Danish Composers Association and Director of the PULSAR Contemporary Music Festival at the Royal Danish Academy of Music. Nils Ross-Sophie studied music history and musicology at the University of Copenhagen in his early years, and subsequently studied composition with the Danish composer Ib Nørholm at the Royal Danish Academy of Music. At the same time, Conservatory of Music professor of music history. Therefore, he is better acquainted with contemporary composers in the development of music in Europe, especially in Northern Europe, and lays a solid foundation for his own creation. He founded the “intended effect” unique composition concept, called the modern music composer model. This article will give a brief introduction to the concept of “effect-oriented”, and explain the application of this concept in his works by the example of Niels Ross-Yingke’s “The Virgin of Our Lady”.