论文部分内容阅读
关于当代中国戏剧之命运的话题,一年来在全国戏剧界开展了广泛而深刻的讨论,尽管有共识也有分歧,对于当前戏剧的发展都应有现实的指导意义。平心而论,中国戏剧的确存在着深刻的危机,但生机与危机并存,我们对戏剧的未来仍然充满了信心。坦然面对危机,充分把握生机,寻求新的发展,争取新的辉煌,这是我对当代中国戏剧命运的基本认识和初步思考。一、坦然面对,把握生机 我国戏剧在经历了昔日的辉煌之后,一统天下的霸主地位逐渐解体,从1980年代开始,在电影、电视、歌舞、体育等文化娱乐方式的冲击下,呈现出前所未有的生存危机,而市场经济的建立,也进一步加剧了戏剧生存和发展的危机感,甚至戏剧消亡论都已产生过。一年来,魏明伦
The topic of the fate of contemporary Chinese drama has been extensive and profoundly discussed throughout the country in the past year. Despite the consensus and disagreements, there should be a realistic guiding significance for the development of contemporary Chinese drama. In all fairness, there really is a profound crisis in Chinese drama, but both vitality and crisis coexist, and we are still full of confidence in the future of drama. Being calm in the face of the crisis, fully grasping vitality, seeking new developments and striving for new glories is the basic understanding and initial thinking of my destiny in contemporary Chinese drama. First, calmly face and grasp the vitality of our drama After experiencing the past glory, dominate the world dominate the gradual disintegration, from the 1980s, in the film, television, song and dance, sports and other cultural entertainment mode, showing an unprecedented Survival crisis, and the establishment of a market economy has also further exacerbated the sense of crisis in the survival and development of the theater. Even the theory of the disappearance of drama has already occurred. In the past year, Wei Minglun