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在中外戏剧史上,爱情戏一直占有着不可忽视的地位。因为戏剧既然象莎士比亚所说的,是“一面镜子”,“给时代和社会看一看自己的形象和印记”,那么作为社会生活不可缺少的组成部分的爱情和婚姻,就必然会在戏剧创作中得到应有的反映。但是,爱情从来不是也水远不是一种抽象的凝固的概念。它有着极其鲜明的历史的时代的民族的和阶级的特色,并且随着时代的发展而不断变化。同时,爱情从
In the history of Chinese and foreign drama, love drama has always occupied a place that can not be ignored. Because drama, as Shakespeare put it, is “a mirror” and “looking to the times and society for her own image and imprint,” love and marriage, as an indispensable part of social life, are inevitably created in drama In the due response. However, love is never water is far from an abstract concept of solidification. It has the national and class characteristics of an extremely distinct historical era and is constantly evolving with the development of the times. At the same time, love from