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戴·赫·劳伦斯的短篇小说有一个明显特征,即用意象创作。劳氏意象表征了贯穿短篇小说始终的主题支离人。根据两者间的对应程度,劳氏意象可分为直指主题和半指主题的意象,前者丰富了传统意象的内涵,后者扩大了传统意象的外延。同时,劳氏意象是以视觉为主,集听觉、触觉、嗅觉甚至动态因素为一体的杂糅意境,充分激发了读者的抽象感知。劳氏意象多重观感的汇聚流动形成了一动一静两个能量涡旋,对现代社会进行了一次从历时到共时的透视。劳氏能量涡旋记录了社会效应由外而内的转化过程,并揭露了支离人产生的根源,即现代化的解构性使巨大的消极物质能量变为爆发性的精神能量,无处宣泄,引发现代人精神世界的分崩离析。
There is an obvious characteristic of the short story of Dai He Lawrence, which is the creation of images. Lloyd’s image expresses the theme of the branch who always runs through short stories. According to the correspondence between the two, Lloyd’s imagery can be divided into direct and semi-directed images. The former enriches the connotation of traditional images and the latter expands the extension of traditional images. At the same time, Lloyd’s image is based on the vision, which integrates hearing, touch, smell and even dynamic factors into one. It fully stimulates the reader’s abstract perception. The converging flow of multiple images of Lloyd’s image formed two dynamic vortexes of energy and vitality, and conducted a perspective of modern society from the time to the synchronic time. The energy vortex of Lloyd records the transformation process of social effects from the outside to the inside and exposes the root causes of the detached man, that is, the deconstruction of the modernity turns the huge negative matter energy into an explosive spiritual energy that is nowhere to be released and triggered Disintegration of Modern Spiritual World.