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进入新世纪十几年来,苟海生的歌词创作进入了一个泉涌浪卷的喷发时期,跟随时代的旋律,踩着历史变革的鼓点,他先后推出《乡音》、《乡韵》、《乡情》、《乡恋》、《乡风》等五部歌词作品集和两部歌曲集。这些作品,在题材开掘上更加多元,在表现手法上更加多样,在艺术境界上更加多思。然而,通读这些著作,乡村题材,“家园”情结仍然是其间的一条主线,尤其是词人把处在历史转型中的乡村现实生活自觉地提升到文化的层面,给予丰盈的审美
In the new century, Gou Haisheng’s lyrics creation has entered a period of spring wave eruption, following the melody of the times and stepping on the drum of historical changes, he has successively published “Xiang Yin,” “Country Rhyme,” “Country Love,” “ Folk love ”,“ Country Wind ”and other five lyrics portfolio and two songs. These works are more diversified in the subject matter digging, more diversified in their performance techniques, and more contemplative in the artistic realm. However, reading through these works, the rural theme and the “homeland” complex are still the main lines in the process. In particular, the poets elevate the real life in rural areas in historical transformation to the cultural level and give them abundant aesthetic