论文部分内容阅读
“夹紵于漆”造像工艺不同于泥塑、木雕、石刻、铜铸等造像手段,它是古代中国劳动人民独辟蹊径培育出来的一门工艺。 所谓“夹紵干漆”,就是先用泥、沙等作成原胎,然后以紵麻(布)、丝、棕等裱裹,再行涂漆,如此反复裹涂,打磨修整,最后脱去原胎,绘彩描金,因此又叫“脱胎漆像”、“脱空像”或“行象”。此种造象重量轻,造型美,色泽鲜,耐酸碱,防潮防腐,结实坚固。用它来塑造罗汉像,正好应了所谓罗汉有金刚不坏之躯的说
Different from figurines, wood carvings, stone inscriptions, bronze casting and other figurines, the statues of “Jiaochang in the paint” are a craft cultivated by the ancient Chinese working people. The so-called “folder 纻 dry paint,” is to first make the original tire with mud, sand and other, and then to linen (cloth), silk, brown and other mounted package, and then painted, so repeatedly wrapped Tu, polish dressing, and finally off The original child, painted gold color, so called “paint off paints like”, “empty like” or “image.” This image of the weight of light, beautiful shape, color, acid and alkali, moisture-proof anti-corrosion, strong and solid. It is used to shape Lohan image, just in response to the so-called Lohan Diamond King who said