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琴音静 ,琴人静 ,而琴乐宛若一条绵延流动的河。古琴虽是中国民族音乐范畴中的小门类 ,却称得上是华夏文明的象征。这是因为它以华夏民族文化的发展为主流 ,渗透着民族精神 ,代表着民族气质 ,体现着民族的审美情趣。其音乐具备华夏民族的特性和风格 ,其作品呈现出民族的创作思维。等等一些重要因素 ,使顾梅羹先生在经历过清末、中华民国、中华人民共和国这三个不同历史时期 ,在饱尝过世态变千、人生滋味后 ,仍始终不渝、无怨无悔地选择古琴这一专业的原由。同时 ,引发了我们对如下几个问题的思考 ,即在深入提倡弘扬民族文化、提高人文素养的 2 1世纪 :1 .民族责任感是现代音乐界学者必备的素质。2 .广博的知识结构是民族音乐传承的基石。3 .专业化的教育层、创作层、研究层是民族音乐发展的保证。4.科学的态度是民族音乐存在价值的永恒。5 .“拓荒”是音乐工作者的敬业精神。在顾梅羹先生百年诞辰之际 ,沈阳音乐学院及其民乐系、音乐研究所、学报编辑部、辽宁音协古琴研究会于 1 999年 1 2月 2 2日在沈音联合举行了纪念活动。本期及下期学报 ,约写、编发一组有关研讨会的专稿 ,供读者参阅
Piano sound static, piano static, and music like a rolling river. Although Guqin is a small category in the category of Chinese folk music, it is regarded as a symbol of Chinese civilization. This is because it takes the development of Huaxia national culture as the mainstream, infiltrating the national spirit, representing the national temperament, and embodying the national aesthetic taste. Its music possesses the characteristics and style of the Huaxia nationality, and its works show the creative thinking of the nation. And so on, so that Mr. Gu Meicun, after experiencing the three different historical periods of the late Qing Dynasty, the Republic of China and the People’s Republic of China, will continue to live unswervingly without any regrets after he has thoroughly experienced the changes in the world and life. Guqin choose the reasons for this professional. At the same time, it triggered our thinking on the following issues: the promotion of national culture in an in-depth manner to promote humanistic accomplishments in the 21st century: 1. The sense of national responsibility is the essential quality of modern music scholars. The extensive knowledge structure is the cornerstone of the inheritance of national music. The specialized educational level, creative level and research level are the guarantees for the development of national music. 4. Scientific attitude is the eternal value of the existence of national music. 5. “Pioneering” is the professionalism of musicians. On the hundredth birthday of Mr. Gu Meicun, Shenyang Conservatory of Music and its folk music department, the music research institute, the editorial department of the journal and the Liaoning Acacia Guqin Research Society jointly held a commemorative event at Shenyin on January 22, 1999 . This issue and the next issue of journals, write, compile a series of seminars on the Zhuangao for readers to read