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有人说这个时代是中国画辉煌的时代也有人说中国画已经死了。其实这两种说法我觉得是一个意思,在商品社会迅猛发展的经济大潮中中国画已经有了新的样式和新的生命、甚至已经抛弃了中国画本身的灵魂形成了一种新的存在。都市水墨人物画成为这种新的存在的典型题材。当代水墨画家,明显地表现出与过去年代中国画家们不同的价值取向。这种不同,最主要的就是水墨画表现的重心已经深入到了都市人的生存境遇和内心体验的深层现实中。这种现象的出现,是同当代画家们所面临的都市环境已经完全不同于八十年代以前的
Some people say this era is a brilliant era of Chinese painting Some people say that Chinese painting is dead. In fact, I think these two views are a meaning. In the rapid economic development of commodity society, Chinese painting has got a new style and new life, and even abandoned the soul of Chinese painting to form a new existence. Urban ink figure painting has become a typical theme of this new existence. Contemporary ink and wash painters have clearly shown different values to the Chinese painters of the past years. This difference, the most important thing is that the center of gravity of ink painting performance has been deep into the urban people’s living conditions and the deep reality of the inner experience. The appearance of this phenomenon is that the urban environment faced by contemporary painters is completely different from that before the eighties