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从20世纪80年代初以来,文艺美学的提法作为一个新兴的学术现象,受到美学、文艺理论界的广泛关注。学者们以专著或论文的形式对文艺美学研究的性质、目的、对象、范畴和方法展开了认真的探讨。尽管取得了功不可抹的成绩,但在学科定位上仍未达成普遍共识。时光过去近20年了,随着文艺美学蓬勃发展,它在人文学术理论界逐渐呈现出显学之势,从而再度引发美学、文艺工作者对其进行深入研究。特别是2001年5月在
Since the early 1980s, the formulation of literary aesthetics as a new academic phenomenon has been widely concerned by aesthetics and literary theory circles. Scholars have carefully discussed the nature, purpose, object, category and method of literary aesthetics research in the form of monographs or dissertations. Despite the achievements that can not be wiped out, there is still no general consensus on the subject orientation. Time has passed for nearly 20 years. With the vigorous development of literature and art aesthetics, it gradually shows the tendency of significant learning in the field of humanities and academic theory, which in turn arouse aesthetics and literary and art workers to study it in depth. Especially since May 2001