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“第四届广东画院学术提名展”从文化主题出发策展,其意义在于:一方面很好地弥补了近些年来美术展览对“公民”这一重大主题的忽视,另一方面也提示了艺术良心在当下的无比重要性。从艺术史上看,和古希腊或古罗马在民主政治的雏形上出现的“公民”概念并不一样,中国是一个长期处于封建统治之下的国度,而处在底层的普通大众一向是被历代统治者所忽视的。与此相匹配的是,那些表现帝王与侍从的作品,总是将前者画得
The significance of the exhibition curated from the cultural theme lies in the fact that on the one hand, the fine art exhibition has neglected the major theme of “citizenship” in recent years and the other Aspects also indicate the immense importance of artistic conscience in the moment. From the artistic history point of view, the concept of “citizen ” appeared in the embryonic form of the democratic politics with ancient Greece or ancient Rome. China is a country under the feudal rule for a long time, and the general public at the bottom has always been Neglected by ancient rulers. In line with this, those who show the emperor and attendants of the work, always draw the former