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历史上少了一位平庸的官员,多了一位优秀的画家,何尝不是一桩幸事!少年时读书,对于唐人王勃《滕王阁序》中描绘的“落霞与孤鹜齐飞,秋水共长天一色”的意境之美很是神往。后来,专程行旅南昌,登临滕王阁,而眼前景色却早已迥然想象。落霞里没有了孤鹜惆怅的翅膀,林立的高楼隔断了长天秋水,伫立在刚刚粉饰过的楼阁里,心中潜起一种无可奈何的惘然。幸好,还有唐寅的《落霞孤鹜图》,为我们留住那种充满诗意的清旷、寥廓和悠远。展开画卷,画面下部坡石嶙峋,一座临水之阁,掩映于扶疏垂
The history of a less mediocre officials, more than a good painter, is not it a blessing! Reading at a young age, for the Tang Wang Bo “Teng Wang Pavilion” described in the “falling clouds and solitary Qiao Fei, Qiu Shui The color of the sky ”is very fascinating. Later, a special trip to Nanchang, Gordon Pavilion, but the immediate view has long been completely imagined. There is no gorilla in the sunset lonely melancholy wings, tall buildings cut off the long days of autumn water, standing in the just decorated the pavilion, the heart of a latent helpless. Fortunately, there is Tang Yin’s “Lost Xia Gu Solitary Figure”, for us to retain the kind of poetic Qing Kuang, boundless and distant. Expand the picture, the lower part of the screen sloping 嶙 峋, a waterfront Pavilion, set off in the drooping