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十二集电视连续剧《雪震》的每一集结尾是新颖的:以剧中人物的主观视点为契机,在浓郁的藏族民歌的音乐声中,缓缓叠化出一幅美丽的民族风情画面:或绚丽雄峻的雪山,或苍茫起伏的草地,或险峙巍峨的庙宇,或夕阳残照下的一抹血红,或万木森森中泻下的几缕碧空……。这种以空镜头的有机结合来结尾的剧作结构,无疑是对传统剧作结构形式的突破。
The end of each episode of the Twelve episodes of TV series Snow Silently is novel: Taking the subjective point of view of the characters in the drama as an opportunity, in the rich music of Tibetan folk songs, a beautiful ethnic scene is slowly superimposed : Or magnificent majestic snow-capped mountains, or the vast grassland ups and downs, or towering insidious temples, or a trace of red blood under the sunset, or wansei Sensen diarrhea under the sky. This kind of play structure ending with an organic combination of empty shots is undoubtedly a breakthrough in the structure of the traditional play.