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卢治平那些看似疏离现实形象的丝网版画,充满了当代性的意味。新世纪以来,中国版画的当下性探索主要着眼于两个方面:一是从过于关注版画本体语言的研究与实验转向艺术对于现实社会的观照,尤其是从新的人文主义与当代文化的角度对某些现实社会进行批判;二是积极使用新媒体艺术尤其是电子图像在表达这种批判性主题的同时,对这种电子图像进行的版画性与个性化的整合与创造。前者从版画自身的建设跨越到版画和当代现实社会的关系之中,并
Lu Zhiping’s seemingly alienated silkscreen prints are full of contemporary meaning. Since the beginning of the new century, the current exploration of Chinese printmaking has mainly focused on two aspects. First, it shifted from research and experimentation that focused too much on the ontology language of printmaking to the contemplation of art for real society, especially from the perspective of new humanism and contemporary culture. Some of the real society to criticize; the second is to actively use new media art, especially electronic images in the expression of this critical theme at the same time, the electronic image of this printmaking and personalized integration and creation. The former spans from the construction of print itself to the relationship between printmaking and contemporary real society