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引言我国古代绘画大致到明代才开始出现明显的地域流派概念,唐、宋、元的绘画虽有官方与民间、宫廷与文人、专业与业余的分野,但其中并无明显的流派概念。而我国绘画史中以地域命名或加以区分的流派,又与欧洲的地区性画派有所差异。像明代的浙派、江夏派、武林派以及清代的娄东派、虞山派等等名目,并不完全由画家所活动的地区命名,而是由开派祖师的籍属而定。但因为我国传统的师承授受方式,使得亲族、乡党更易受到这些开派画家的影响,因此这些画派的许多后期画家,往往确属这些地方的人士,或虽为外埠人士,却是来到这些地区习得的此种画派风格,而此种
The introduction of ancient Chinese painting generally began to appear in the Ming Dynasty distinct geographical genre concept, Tang, Song, Yuan Although the painting of the official and civil, court and literati, professional and amateur division, but there is no obvious genre concept. The genre of the painting in the history of our country named or differentiated schools, but also with the European regional school differences. Like Ming Dynasty Zhepai, Jiangxia school, martial school and the Qing Dynasty Lou Dongpai, Yushan faction and other names, not entirely by the painter’s activities in the area named, but by the gentry to send Patriarch may be. However, because the traditional methods taught by our country make the kin and the township party more susceptible to the influence of these painters, many of the post-painters in these schools often came to these places or, although they were expatriates, arrived The style of this school acquired in these areas, and this