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林峰的行草书,一如他这个人一样,笔致轻灵活脱,结构自然俯仰,或端庄或飘逸,长线与短綫的分配组合都拿捏得恰到好处,我想这就跟一个人的格调有关,俗人的笔下是没有这种江南文人的情调的,这种儒雅斯文也不是装出来的,而是通过柔软的毛笔自然的流淌出来的。我曾经说过,林峰是新古典书风的代表书隶。今天,面对他的新作,我依然坚定这个看法。他的书法扎扎实实的追求着以传统书法技术和风格为总基调的书风,他的技术和风格也是这个时代帖学书风中不可多见的实办派高手,我有时候很奇怪,以林峰的功力和才情,为什么他一直坚守着魏晋书风的本体,而不张扬自己的个性呢?其实,这也正是林峰的高妙之处——书法是需要慢慢的滋养、慢慢的沉淀的、慢慢的流露的,如酒,储存的年头长了才醇厚、才更有味道!——齐玉新
Lin Feng’s cursive cursive, as he is, pen light and lively, natural pitch structure, or dignified or elegant, long-term and short-term distribution of the mix are just right, I think this is related to a person’s style, the laity The pen is not the kind of Jiangnan scholar’s mood, this kind of Confucianism is not loaded out, but through the soft brush naturally flowing out. I once said that Raymond Lam is a representative of neoclassical book style. Today, in the face of his new work, I still firmly believe that. His calligraphy solid pursuit of traditional calligraphy techniques and style as the general tone of the style of writing, his technology and style is also the era of calligraphy style rare realist, I am sometimes very strange, In order to Lin Feng’s skill and talent, why he has always adhered to the Wei and Jin style of writing ontology, but not to publicize his personality? In fact, this is precisely the subtle beauty of Raymond - Calligraphy is the need for nourishment slowly, slowly precipitation , Slowly revealed, such as wine, the storage of the old was mellow, it is more flavor!