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《张迁碑》的审美趣尚与《曹全碑》恰好相反。我们完全可以将它们列为汉代隶书风格的两极。——它们同样整饬、规范,讲究横竖成列。但《曹全碑》是将规范向优美的方向引进,并为了表达这种优美,特地为一些长笔画增加有意识的波挑:其结果当然是节奏感的强化。我们可以将这类隶书
The aesthetic taste of “Zhang Qian Monument” is still the opposite of “Cao Quan Monument”. We can completely list them as the style of the official script in the Han Dynasty. - They are the same wholeheartedly, norms, pay attention to the column. However, “Cao Quan Monument” is the introduction of norms to the beautiful direction, and in order to express such a beautiful, specially for some of the longer strokes to increase the conscious wave pick: the result is of course the rhythm of strengthening. We can put such official script