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虽然,迈克尔·摩尔的长相更像一名汽车司机,而非一名刻薄犀利的纪录片导演——迈克尔·摩尔的父亲和祖父是汽车工人——然而他的天分却更多地体现在政治和艺术上。在万众瞩目的戛纳颁奖晚会上,《华氏9/11》获得了金棕榈大奖。在这部片子中,政治占据了全部,总统遭到了正面的批判。这部纪录片夺得这次戛纳电影节大奖,反映了艺术批判政治的强烈现实需求。谎言。黑幕。丑闻。一些人们耳熟能详,却如流水般被遗忘的现实片断被连缀起来,另一些真实发生过,但却不为人知的事件被首次显影。迈克尔·摩尔就像一个精确抓取时间记录,又将其巧妙拼贴的巫师一般,将美国和整个人类的这4年渐渐化成两个惊世骇俗的字:阴谋。究竟有没有阴谋?还是这个世界本身就是一个阴谋?究竟是真是假?还是“假作真时真亦假”?有人说,电影生产、发行、消费的过程,就是世界幻象复制、保存和改变真实世界的过程。在这个过程
Although Michael Moore looks more like a car driver than an orchestral documentary director - Michael Moore’s father and grandfather was an auto worker - his talent is more reflected in politics and Art. At the prestigious Cannes Awards Gala, Fahrenheit 9/11 won the Palme d’Or. In this film, politics occupies the whole, the president was a positive criticism. This documentary won the Cannes Film Festival Award, reflecting the intense realistic need for art to criticize politics. lie. Shady. scandal. Some people are familiar, but as the water was forgotten reality pieces are added up, while some other real, but unknown events were first developed. Michael Moore is like a shaman who captures time records accurately, and ingeniously collaborates with them. The four years of the United States and mankind as a whole are gradually turned into two shameful words: conspiracy. Is there any conspiracy? Or the world itself is a conspiracy? Is it true or false? Or “false true or false?” Some people say that the process of film production, distribution, consumption, is the illusion of the world to copy, save and Change the course of the real world In this process