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唐代张璪提出“外师造化,中得心源”1的理论,一直以来成为山水画家所一贯坚持的原则。师法造化,师法自然,也就是今天所说的“写生”或“深入生活”。五代荆浩提出“度物象而取其真”2,“度”可解释为揣摩、体察的意思,揣摩体察物象而得物象之真。从绘画实践角度来讲,“度物象”是通过对物象的细致观察和写生实践,从对物象结构规律的掌握,以及朝暮、四时的不同变化,并找出物象与物象之间的异同,然后在作画过程中,不断实践和探索,
In the Tang Dynasty, Zhang Huan proposed the theory that “the good fortune of the outsider, the source of good fortune,” 1 has always been the principle that landscape painters consistently uphold. Law made in France, natural law division, which is what is said today “sketches ” or “in-depth life ”. Five generations of Jing Hao proposed “degree of image and take its true ” 2, “degree ” can be interpreted as try to figure out, to understand the meaning, try to figure out the object and get the image of the truth. From the perspective of painting practice, “degree object ” is through the careful observation of the object and the practice of sketching, from the grasp of the law of the structure of the object, as well as the different changes of the twilight and four o’clock, and to find out the relationship between the object and the object Similarities and differences, and then in the painting process, continuous practice and exploration,