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所有人都知道,在艺术作品当中,许多理论性的问题都是因为色彩的几个因素而产生的,色彩中的明度、色相以及纯度色相就是导致问题的基本因素。首先,明度只是单纯的素描问题,但纯度在整个的绘画过程中,作者都必须有很高的艺术修养及情操。可以这么样的认为,无论色彩纯彩度与多么的高,只要脱离了素描关系,那么再好的以数组品也是经不起推敲的。因为,我们知道色彩是建立在素描的基础之上的。也就是说,如果色彩失去了素描的依靠,那么任何艺术品都不会是艺术品了,而是生活用品了。
Everyone knows that many of the theoretical issues in a work of art are due to several factors of color. The lightness, hue, and purity of color are the basic causes of the problem. First of all, the lightness is only a simple sketch, but the purity of the entire painting process, the author must have a high artistic accomplishment and sentiments. You can think so, no matter how high the color saturation and the height, as long as you leave the sketch relationship, then no matter how good the array of products can not withstand scrutiny. Because, we know that color is based on the sketch. In other words, if the color loss of the sketch depends, then any artwork will not be a work of art, but a daily necessities.