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中国文学理论的评价尺度,不仅是单纯的文学本身的评价尺度,同时也是阅读、接受及实践转换的尺度,是一种随时运用的中国文学理论的领域性尺度。这一尺度不同程度的混乱导致中国文学理论当下状况不同程度的混乱,这使评价尺度研究成为当下中国文学理论的重要理论问题。中国文学理论的评价尺度既是对象性、综合性的,也是构成性与规定性的,它在对于对象的构成中展开评价,并因此形成对于对象的评价规定。评价尽管可以表述为概念式判断,但它的运作过程是视野性的,是一个有意识地展开的地平线似的视野,它形成于阅读、写作、实践转换的渐进养成的过程中,也是一个外部关联的内化过程。落入视野的评价对象,被各种空间性关联范畴综合地评价,中国特色的地域性、语境性、关联性、文体性、体现理论特征的本体性等,相互作用地在评价过程中总体性地发挥作用。当下评价标准的混乱,源于百余年来,中国文学理论两次历史延续性的断裂及西方理论标准的强行介入。
The evaluation scale of Chinese literary theory is not only the evaluation standard of pure literature itself but also the standard of reading, accepting and practicing the conversion. It is a regional standard of Chinese literary theory that is readily available. Different levels of chaos on this scale lead to different degrees of confusion in the current situation of Chinese literary theory, which makes the research on evaluation scale an important theoretical issue in contemporary Chinese literary theory. The evaluation scale of Chinese literary theory is not only object-oriented, comprehensive, but also constitutive and prescriptive. It evaluates the composition of objects and thus forms the evaluation rules for objects. Although the assessment can be expressed as a conceptual judgment, its operational process is visual, a consciously horizon-like field of vision formed during the gradual development of reading, writing, and practical transformation as well as an external Correlated internalization process. The evaluation objects falling into the field of vision are comprehensively evaluated in various spheres of relevance. The regional, contextual, relevance, stylistic features of Chinese characteristics, the ontological nature of the theoretical features, etc., interact with each other in the overall assessment process Sex play a role. The current evaluation of the chaos, from more than a hundred years, the Chinese literature theory of two historical continuity of the break and the Western theoretical standards forcible intervention.