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文学的功能,在遭到若干年甚至若干世纪的横批竖改之后,又在不短的时间里几乎成为人们不愿触摸的惨痛回忆。然而,旧时代功能观的崩溃并不意味着功能的结束。新时期以来重建之中的文艺理论虽然还未曾奠立完整的体系框架,但至少已经找到了不少新的语汇和新的命题,由此,数条新探索轨道正在铺开。若不揣粗略,这些探索可归纳为两大趋势:其一,探讨文学的自主结构,包括形成因素及本文研究方法;其二,探讨文学的外围联系,包括创作主体、接受主体及文化诸问题。尽管上述研究还都未冠以“功能
After several years or even centuries of horizontal rectification, literary functions have become almost a painful remembrance of people’s reluctance to touch in a short time. However, the collapse of the concept of functionality in the old days does not mean the end of the function. Although the literary and art theories in the reconstruction since the new period have not yet established a complete system framework, at least a few new linguistic and new propositions have been found. As a result, a number of new exploration orbits are under way. Without a rough sketch, these explorations can be summed up into two major trends: first, to explore the autonomous structure of literature, including the factors of formation and the research methods of this article; second, to explore the peripheral relations of literature, including the subject of creation, the subject of acceptance and the problems of culture. Although none of the above studies have been labeled “functional.”