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福建背山临海,东面与浙江相连、西边与江西接界,西南与广东毗邻,东望台湾一水之隔。自秦以降至魏晋隋唐,大批中原士民入闽遂与闽越古族铸融为一体,形成了福建独特的区域民俗文化。正因如此,福建区域民俗文化不可避免带有其地方特色,这种差异对民间工艺美术的影响也就不言而喻,木板年画也不例外。本文基于此,探究区域民俗文化差异对木板年画的造型工艺的潜在影响。
Fujian Bingshan Linhai, east and Zhejiang connected to the west border with Jiangxi, southwest and Guangdong adjacent to the East looking Taiwan across the water. Since the Qin Dynasty declined to the Wei, Jin and Sui and Tang dynasties, a large number of Zhongyuan Scholarly People joined Fujian and Fujian and Vietnam ancient cast and melt as a whole, forming a unique regional folk culture in Fujian. Because of this, Fujian folk culture is inevitably with its local characteristics, the impact of this difference on folk arts and crafts is self-evident, New Year’s paintings are no exception. Based on this, this paper explores the potential impact of regional folk culture on woodcut New Year’s modeling process.