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人类学家克劳德·列维-施特劳斯是画家尼古拉斯·普桑的粉丝,他分析过其名画《回声女神艾科与纳西索斯》:它的光、构图,然后引申。回声在不同的文化中,有着不同的含义:在古希腊和古罗马神话里,回声是沟通的障碍;在北美印第安神话里,回声是恶魔,在近世的欧洲文化里它归属于诗学:“它们似乎认为回音的主要功能在于透过重复来提醒人们那些已不存在的话语或歌谣”~1。在最近几十年的流行音乐里,吉他手用的回声效果也是诗学的:重复。但不是复制般的重复,而是逐渐衰减,它暗示着空间上的远去
The anthropologist Claude Levi Strauss is a fan of the painter Nicholas Poussin, who analyzed his famous painting Echo and Narcissus: Its Light, Composition, and Extension. Echoes have different meanings in different cultures: In ancient Greek and Roman mythology, echo was a barrier to communication; in North American Indian mythology, echo was a devil, and in modern European culture it belonged to poetics: “They seem to think that the main function of the echoes is to remind people through repetitions of discourses or songs that no longer exist.” The echoes used by guitarists are also poetic in recent decades of pop music: Repeat. But not duplicative repetition, but gradually decay, it implies spatial farther