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“当烟草的烟雾嗅起来就像将萁呼出的嘴巴,两种气味便以虚薄相结合。”三十年代杜尚创造虚薄之概念,试图在知识和感性层面寻找突破艺术的最入微的切口。生于1983年的大卫·杜瓦在创作中无疑继承了这种微妙直觉,在字母派影响下,将语言从语义学的内容中剥离,并用唾沫的隐喻与网络的信息传播相关联,将诗歌文字彻底解码及进一步转化为流动的形式。该展览通过在展厅中设置一个网络接收器,用于播放事先从网络下载并在工作室录制好
“When tobacco smoke sniffs like the mouth that will be exhaled, the two smells are combined in a faint manner.” In the 1930s, Duchamp created the concept of imaginary, trying to find the most breakthrough in art at the level of knowledge and sensibility Micro-incision. David Dewar, born in 1983, undoubtedly inherited this subtle intuition in his writing. Under the influence of the letter school, the language was stripped from the content of semantics and associated with the internet’s message transmission by using the metaphor of saliva. Poetry is completely decoded and further transformed into a mobile form. The exhibition through the exhibition hall set up a network receiver, used to play previously downloaded from the network and recorded in the studio