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在许多绘画评论家看来,叶浅予先生的艺术成就主要表现在人物画、漫画、速写以及传统中国画等方面,对叶老深邃而精彩的绘画美学思想很少有人涉猎,对他的许多创作理论至今还鲜为人知。深入研究和挖掘叶老在画论中阐发的“画、诗、灵之通”、“气韵、形神、意象之通”、“人物、山水、自然之通”的审美理论,不仅是对他个人创作风格和绘画美学思想的总结,而且对发展中国画的创作理论和实践都有重要的现实意义。 —、画、诗、灵之通 叶老认为,中国画的美学特征中,“通”是一个重要的美学范畴。中国画不仅通诗,而且通灵(心灵、情感),在画、诗、灵三者中,创作主体的心灵情感是中介、画与诗是载体。古往今来,中国的山水画家都非常注重“趋灵”、“含道”、“应物”、“澄怀”、“味象”等审美环节,并把这些内容作为创作手段运用到绘画中去,借以“畅神”,进而深化中国画的表现力。中国画的创作过程可以归结为:观察、体悟、观照、物我共溟、含道应
In the opinion of many painting critics, Mr. YEU shallow prestige’s artistic achievement mainly lies in portraits, cartoons, sketches and traditional Chinese paintings. There is very little about the profound and wonderful painting esthetics thought of Ye La and many of his creative theories Still little known. In-depth study and excavation of the aesthetic theory of “painting, poetry, spirit communication”, “qi yun, shape and spirit, image communication”, “figure, landscape and nature” Personal style of creation and painting aesthetics, but also have important practical significance for the development of Chinese painting theory and practice. -, Painting, Poetry, Spiritual Link Ye Lao believes that the aesthetic characteristics of Chinese painting, “Tong” is an important category of aesthetics. Chinese painting not only passes poetry, but also psychic (mind, emotion). In painting, poetry and spirit, the psychic emotion of the main body of creation is an intermediary, painting and poetry are the carriers. Throughout the ages, the landscape painters in China have paid great attention to the aesthetic aspects such as “enchantment”, “inclusion”, “shoulds”, “Cheng Huai” and “taste like”, and apply these contents as creative means to the paintings. In order to “smooth God”, and then deepen the expressiveness of Chinese painting. The process of Chinese painting can be attributed to: observation, comprehension, contemplation, things I shared the sea, with Road should